THE LANGUAGE |
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aclla |
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Girls between the ages of eight and nine selected by judges who traveled the empire for this purpose; attend special classes, acllahuasis, for learning womanly skills. |
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acllahuasis |
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Advanced school for the young women of noblemen. |
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Ama suwa, Ama quella, Ama llulla |
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Empire golden rules: do not steal, do not be idle, and do not lie. |
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amawtakuna |
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Philosopher-scholars. |
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apu |
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A great lord or other authority figure; governors of the four suyus (administrative regions) of the Wari Empire; god of a mountain. |
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awaska |
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Fabric made from llama wool as blankets and other household items. |
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ayllu |
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Clan or family. |
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balasas |
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Boats made from totora reeds—a subspecies of the giant bulrush sedge found in South America, notably on Lake Titiqaqa. |
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canca |
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Maize pudding prepared by the mamakuna at festivals. |
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capacocha |
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Human sacrifice; mainly children. |
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ceque |
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Borders or imaginary lines diving Wari Empire into sections, creating distinct districts that determined a person’s social, economic, and religious duties. |
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chaska |
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Bright star or planet corresponding to an animal on earth. |
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chasqui |
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Relay runners carrying news from village to village. |
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chucam |
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Herbs eaten during fasting. |
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coya |
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Queen or empress. |
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cumbi |
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Cloth, which sometimes took thousands of hours to produce, was burned daily as a sacrificial offering to the gods. |
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curaca |
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Clan chief. |
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cuyllors |
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Dim stars or planet corresponding to an animal on earth. |
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duhos |
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A magnificent stool on which mummified remains of sapas, noblemen, or coyas are seated. |
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huaca |
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Sometimes an inanimate object, such as pottery, believed to be vessels carrying deities; both natural and human-made places (such as springs, piles of rocks, or fountains) considered sacred; bodies of the dead. |
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huatia |
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An earthen oven. |
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Inti Raymi |
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Festival of the sun. |
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intiwatana |
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Stone with four carved faces aligned with the four directions casting particular shadows during the solstices and equinoxes. |
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jailli |
pronounced whay-lyi |
A hymn or poem that was usually set to music. |
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llawt’u |
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A series of cords wrapped around the head; each ayllu, or extended family, had its own headdress. |
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mallqui |
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Mummified remains. |
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mitmakuna |
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Entire communities of people moved—sometimes hundreds of miles to a new region—to form a new, secure settlement. |
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Muyucmarca, Paucarmarca, and Sallaqmarca. |
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Three towers that originally stood at the top of the walls of Sacsayhuamán, forming a triangle of equal distance on each side. The main tower, in the center, was cylindrical-shaped and was flanked by two others of rectangular shapes. |
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Quechua |
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The language and many dialects spoken within the Wari Empire. |
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quinine |
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Tree bark used to cure cramps, chills, and many other ailments. |
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khipu |
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Rope and colored threads used as mnemonic device in the recall of stories; especially good for tracking numbers and dates, accounting. |
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khipu camayoc |
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Accountants of the sapas. |
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mit’a |
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Mandatory public service in the society of the Wari Empire. |
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Pacarina |
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Heaven. |
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qollqa |
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Store rooms for harvested crops. |
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qunpi |
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Fine cloth made from alpaca wool. |
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Qurikancha |
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Most important temple in the Wari Empire; one of the most revered temples of the capital city of Qusqu. |
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rutichikoy |
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Ritual in which a baby receives his or her name, a haircut, and nails trimmed. It is also the day of weaning. |
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sapa |
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Ruler; emperor. |
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saqmanakuy |
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Casket; wooden box. |
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suyus |
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Administrative regions of the Wari Empire. |
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tambo |
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Hotel. |
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tumi |
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Golden ceremonial knife for sacrificing llama at the Festival of the Sun. |
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villac umu |
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Chief priest. |
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vicugna |
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Wild South American camelids, which live in the high alpine areas of the Andes; relative of the llama; believed to be the wild ancestor of domesticated alpacas; produces small amount of extremely fine wool. |
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wara |
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Issued in a ceremony and worn under the loincloth as proof of maturity and virility by men. |
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yachaywasi |
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Houses of knowledge for sons of noblemen over the age of 13. |
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Yuncas |
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Native people from western coast. |